The use of live voice and live music in a previously mediated performance concept raises some significant issues that this practical project hopes to gather insight into:
- The experience and subjectivity of sound-led theatre
- The phenomenology of the voice in Sound Theatre
- The connection between live voice and the disembodied voice
- The relationship between the imagined, the re-imagined in the presence of musician-performers
The research process will be in four stages:
1. Acquisition and creation of audio and visual material for the 'score'; software development
2. Devised rehearsals; interrogation of score and its meaning
3. Private performance to peers and mentors - interrogation of it experience regarding its aims
4. Public performance
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